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Friday, October 20, 2017

Sandy Quinn - my 167th choice to be named a Disney Legend

Sandy Quinn was an executive with Walt Disney World.  He was head of marketing for WDW in Florida through construction, the opening and several years of operation. He is my 167th pick to be named a Disney Legend. He was hired by Card Walker in 1968.

With a few weeks to go before the opening of Walt Disney World, Quinn was given the task of setting up a PGA golf tournament before the end of the year. He ended up recruiting golf Legend Arnold Palmer to get the tournament going. He is credited with launching the Disney Golf connection at Walt Disney World..

The following is a quote form the Orlando Sentinel: "They didn't hand Sandy Quinn any ''Can Do'' bumper stickers when he showed up in 1967 -- though it certainly would have made his life easier. He did get a nickname -- John the Baptist. Quinn was the first marketing executive on the scene. It was his job to tell people what Disney World was all about -- or would be about. Spread the word, so to speak. Actually, his first job was to take a foot-high stack of pink ''call back'' slips and begin the painful process of telling people that nobody cared if Walt was a distant cousin and had promised them a free week at the new attraction. The answer was ''No.'' They'd have to get in line like everyone else."

Al Coe - my 166th choice to be named a Disney Legend

Animator Al Coe is my 166th pick to be named a Disney Legend. Below is a partial filmography:



1946

Frank Duck Brings 'em Back Alive

(Disney - Donald and Goofy Cartoon - Animator )

Song of the South

(Disney - Feature Films : Disney - Animator )

1953

The New Neighbor

(Disney - Donald Duck Cartoon - Animator )

Canvas Back Duck

(Disney - Donald Duck Cartoon - Animator )

1954

Grin and Bear It

(Disney - Donald Duck Cartoon - Animator )

The Flying Squirrel

(Disney - Donald Duck Cartoon - Animator )

The Donald Duck Story

(Disney - Walt Disney Presents - Animator )

1955

Bearly Asleep

(Disney - Donald Duck Cartoon - Animator )

Beezy Bear

(Disney - Donald Duck Cartoon - Animator )

Up a Tree

(Disney - Donald Duck Cartoon - Animator )

I'm No Fool With a Bicycle

(Disney - I'm No Fool - Animator )

1956

A Day in the Life of Donald Duck

(Disney - Walt Disney Presents - Animator )

On Vacation

(Disney - Walt Disney Presents - Animator )

Hooked Bear

(Disney - Humphrey the Bear Cartoon - Animator )

Jack and Old Mac

(Disney - Animator )

In the Bag

(Disney - Humphrey the Bear Cartoon - Animator )

A Cowboy Needs a Horse

(Disney - Animator )

1957

Donald's Award

(Disney - Walt Disney Presents - Animator )

Duck for Hire

(Disney - Walt Disney Presents - Animator )

1958

From All of Us to All of You

(Disney - Walt Disney Presents - Animator )

1960

This is Your Life, Donald Duck



(Disney - Walt Disney Presents - Animator )

Wednesday, October 11, 2017

Thelma Boardman - my 165th pick to be named a Disney Legend.

Thelma Boardman is my 165th pick to be named a Disney Legend.

She was an American voice actress. From 1941 to 1942, she provided the voice of Minnie Mouse in a handful of cartoons, including The Little Whirlwind, The Nifty Nineties, Mickey's Birthday Party and Out of the Frying Pan Into the Firing Line, as well as The Mickey Mouse Theater of the Air in 1938. Thelma also provided the voices of Donald's Angel in Donald's Better Self and Donald's Decision as well as Miss Bunny, Mrs. Quail and Pheasant in Bambi.

Walt Kelly - my 164th pick to be named a Disney Legend

Walt Kelly was an American animator and cartoonist, best known for the comic strip, Pogo. He is my 164th choice to be named a Disney Legend,

He began his animation career in 1936 at Walt Disney Studios, contributing to Pinocchio and Fantasia. Relocating to Southern California, he found a job at Walt Disney Productions as a storyboard artist and gag man on Donald Duck cartoons and other shorts, requesting a switch to the animation department in 1939. Starting over as an animator, Kelly became an assistant to noted Walt Disney animator Fred Moore and became close friends with Moore and Ward Kimball, one of Disney's Nine Old Men. Kelly and Kimball were so close that Kimball named his daughter Kelly Kimball in tribute.

Kelly worked for Disney from January 6, 1936, to September 12, 1941, contributing to Snow White and the Seven Dwarfs, Fantasia, Dumbo and The Reluctant Dragon. He also worked on animator for the Mickey Mouse animated shorts Mickey's Surprise Party, The Little Whirlwind and The Nifty Nineties. Kelly once stated that his salary at Disney averaged about $100 a week. During 1935 and 1936, his work also appeared in early comic books for what later became DC Comics.

Kelly's animation can be seen in Pinocchio when Gepetto is first seen inside Monstro the whale, fishing; in Fantasia when Bacchus is seen drunkenly riding a donkey during the Beethoven/"Pastoral Symphony" sequence; and in Dumbo of the ringmaster and during bits of the crows' sequence; and his drawings are especially recognizable in The Reluctant Dragon of the little boy, and in the Mickey Mouse short "The Little Whirlwind" when Mickey is running from the larger tornado.

During the 1941 animators strike, Kelly did not picket the studio, as has often been reported, but took a leave of absence—pleading "family illness"— to avoid choosing sides. Surviving correspondence between Kelly and his close friend and fellow animator Ward Kimball chronicles his ambivalence towards the highly charged dispute. Kimball stated in an interview years later that Kelly felt creatively constricted in animation, a collective art form, and possibly over-challenged by the technical demands of the form, and he had been looking for a way out when the strike occurred.

Kelly never returned to the studio as an animator, but jobs adapting the studio's films Pinocchio and The Three Caballeros for Dell Comics—apparently the result of a recommendation from Walt Disney himself—led to a new (and ultimately transitional) career. He also provided covers for Walt Disney's Comics and Stories, illustrated the aforementioned adaptations of two Disney animated features and did a series of pantomime (i.e., without dialogue) two-page stories featuring Roald Dahl's Gremlins for Walt Disney's Comics and Stories #34–41. His songs "Don't Sugar Me" and "Man's Best Friend" (also known as "Old Dog Trey") appeared in episodes 122 and 404 of The Muppet Show respectively.

Kelly has been compared to everyone from James Joyce and Lewis Carroll, to Aesop and Uncle Remus. He was elected president of the National Cartoonists Society in 1954, serving until 1956, and was also the first strip cartoonist to be invited to contribute originals to the Library of Congress.

1951: National Cartoonists Society, Reuben Award, Cartoonist of the Year[

1972: National Cartoonists Society, Silver T-Square Extraordinary Service Award for "outstanding dedication or service to the Society or the profession".

1989: The Comic-Con International Inkpot Award (posthumous)

Walt Kelly, an inductee into the National Cartoon Museum, (formerly the International Museum of Cartoon Art) is one of only 31 artists selected to their Hall of Fame.



Kelly was also inducted into the Will Eisner Award Hall of Fame in 1995.

Edwin Catmull - my 163rd pick to be named a Disney Legend

Edwin Earl "Ed" Catmull is one of the three founding fathers of Pixar. He was President and CTO of Pixar and now is President of Walt Disney and Pixar Animation Studios. He is my 163rd pick to be named a Disney Legend.

In 2009, Catmull was awarded the Gordon E. Sawyer award from the Academy of Motion Picture Arts and Sciences for his lifetime contributions to computer graphics used in the motion picture industry. Previously, in 2000, Catmull, with Rob Cook and Loren Carpenter, was awarded an Academy Award® of Merit for their work on the RenderMan® rendering system. He has also received two Scientific and Engineering Awards: in 1992 as part of the team for the development of the RenderMan system, and again in 1995 as part of a team for pioneering inventions in digital image compositing. Catmull also shared a Technical Achievement Award in 2005.

In 1986, Steve Jobs bought ILM's digital division and founded Pixar, where Catmull became Preseident and Chief Technical Officer, positions he retained until the Disney acquisition in 2006. At Pixar, he was the key developer of the RenderMan rendering system used in all Pixar films.

After Disney acquired Pixar in January 2006, Disney Chief Executive Bob Iger put Catmull and John Lasseter in charge of reinvigorating the Disney animation studios in Burbank.

Chuck Day My 162nd pick to be named a Disney Legend.

Chuck Day was an imagineer for the Disney company and he helped to design the Doom Buggies that transport theme park guests through the Haunted Mansion attraction. He is my 162nd pick to be named a Disney Legend.

According to an article written by Paul Saunders -
"I came to WED Enterprises in 1965, and soon found myself working under Vic Green and Chuck Day. One of our projects was the rehab of Tomorrowland and architectural work on the Monsanto exhibit. Of course, MAPO and all our talent was brought to bear on the exhibit but the concept of the turntable loading and unloading of continually moving "cars"was one of the things I personally worked on, by analysis of people walking at normal speed, and walking onto the turntable to sync with the moving cars.
We feared that people would trip and fall, and would need moving handrails and someone to catch them if they didn’t make it. As it turned out, people had no trouble getting on or off the turntables. I was involved in all aspects of getting the facility drawings made under Vic. Since that exhibit was so successful, I was told that I would work next on the Haunted Mansion, which would have the same ride mechanism. I had been told - being new to Disney - that Walt never really felt good about "walk through" exhibits in capturing the public’s attention to the story."

Mickey Rooney - 161st choice to be named a Disney Legend.

Legendary actor Mickey Rooney is my 161st pick to be chosen as a Disney Legend.

Rooney was one of the many voices of Oswald the Lucky Rabbit during the character's run at Universal Studios. For Disney, he voiced adult Tod in the 1981 Disney animated film The Fox and the Hound, and played the role of Lampie in the 1977 film Pete's Dragon. In Flubber, he made a cameo appearance on Weebo's screen. 

He also played Movie Mason in the 2000 Disney Channel Original Movie Phantom of the Megaplex, and the voice of Sparky in the 2001 direct-to-video film Lady and the Tramp II: Scamp's Adventure, as well as a Smalltown resident in the 2011 film The Muppets. He also played Old Bailey and James Turner in Walt Disney's Wonderful World of Color.

In 1939, he was caricaturized by Disney himself in the Donald Duckshort, The Autograph Hound. He claimed Mickey Mouse was named after him, but most historians dismiss this claim

He was also the father of Mickey Rooney, Jr. was once a Mouseketeer.

Will Finn - my 160th pick to be named a Disney Legend

Will Finn is an animator, writer, director, voice actor, and storyboard artist for Walt Disney Animation Studios. He is my 160th choice to be named a Disney Legend

Disney Filmography:

Animator

1978 The Small One Inbetween artist

1981 The Fox and the Hound Inbetween artist

1987 Sport Goofy in Soccermania Animator

1988 Oliver and Company Animator: Francis, Georgette

1989 The Little Mermaid Animator: Sir Grimsby

1991 Beauty and the Beast Supervising animator: Cogsworth

1992 Aladdin Supervising animator: Iago

1995 Pocahontas Character design ; Visual development

1996 The Hunchback of Notre Dame Supervising animator: Laverne

Writer

1996 The Hunchback of Notre Dame Story Supervisor; Additional screenplay material

2004 Home on the Range Writer

Director

2004 Home on the Range Director

Voice actor

2005 Chicken Little - Hollywood Fish out of Water Voice acting

Phil Holmes - my 159th pick to be named a Disney Legend

Phil Holmes, an executive with the Magic Kingdom, is my 159th pick to be named a Disney Legend.

There is a Portrait of Phil Holmes, Magic Kingdom Vice President, in the Bonjour Village Gifts shop in The Magic Kingdom's Fantasyland that contains a few secrets.

Mr. Holmes was a host of the Haunted Mansion, on the opening day of Magic Kingdom and has been with Disney for over 40 years!

Here are some of the Hidden Details in the portrait.
- 40 Year Anniversary Ring
- Donald Duck (40 Year Anniversary Award)
- The peanuts are for the Storybook Circus
- There is a piece of the Haunted Mansion wallpaper
- The genie lamp for the Aladdin ride
- A Magic Kingdom Park Map
- Snow White Apple

Phil Holmes was Walt Disney World's vice president for the Magic Kingdom, the busiest theme park in the world and the epicenter of Walt Disney Co.'s "Year of a Million Dreams" campaign. Holmes spoke recently with Sentinel staff writer Scott Powers. Posted June 19, 2007

Question: Is there still a lot of Walt Disney in this park?

Answer: I believe so. A lot of people such as myself have been here a long time. Yesterday, I was in with a group of about 100 of our salaried cast members, and we were listening to a little bit of a heritage session, called Walt and You, and it takes our newer salaried cast and takes them on that journey [to] understand Walt was a real man. He had this vision and dream, but it took a lot of work. This is the outcome.

Q: Like a remarkable number of other theme-park executives, not just here but anywhere, you started out at or near the bottom. How come that still works well in this business, compared with others?

A: For our company, a lot of our success is based on continuing to bring great people in. I think the culture is one of the draws. It really comes back to the associations and the people who are some of the best in the industry we do. You really enjoy the camaraderie and learning from each other. That has always served us well. What better way to learn the theme-park business than to grow up in it?

Q: Is Universal Orlando's planned new Harry Potter area any kind of threat, and is there a response in the works?

A: I think our opinion is the stronger each of this region's parks becomes, hopefully the more people that come into the Florida area and have a great experience. Hopefully it is the great experience of Florida we focus on. With all the great destinations around the world, it's easy for people to make choices other than Florida. Clearly, I think what Universal is doing will just help strengthen the overall portfolio that we all offer.

Q: What's been your favorite moment so far in the "Year of a Million Dreams" campaign?

A: It has to come back to the [Cinderella] Castle suite and interacting with some of these families that are randomly picked. It amazes me how so many of these families are so deserving and have such great stories of their own. One that comes to mind is a family of five, a mom and four kids -- had saved forever to come down, they were staying in a small campground off property. So when we award that to them, we go with them to pick up a few things so they can spend the night [in the castle]. So they go back, gather that up. They're walking down Main Street. The oldest boy is leading the way. The host says to the mom, "What a beautiful sweater you're wearing." The boy looks to the tour guide and says, "You know, nobody ever compliments my mom." We arrive up on the second floor, at the castle suite; without a word, every one of these kids slips off their shoes and places them at the door. And then the door opens and their mouths just kind of hang open.

Q: Have you had a personal opportunity to hand out any of the more intimate dreams?

A: No. I have had the opportunity to shadow the dream squad, but they entrust that very important job to those professionals, those cast members who are doing a great job with it.

Q: Do you worry at all that the increasingly digital generations will find the 40-year-old attractions quaint but not very exciting anymore?

A: I think what we have found is, especially in the Magic Kingdom, there are classic attractions like it's a small world, like Pirates of the Caribbean, like Haunted Mansion, where people really enjoy reliving the moment, because of the memories they built around those with their families. You know: "I was able to come with my parents, now I come with my son." Those are really the enhancement, too, the overall experience. I think there is a real balance there. With Monster's Inc. Laugh Floor, we've clearly taken the interactive experience to the next level, and people love that because they can be part of the show. I think we will continue to use technology in that way.

Q: For you, what's the Magic Kingdom's least appreciated feature?

A: I would say there still is a lot of opportunity that our guests can enjoy, as difficult as it is, by enjoying the park at a slower pace. It may take you a day and a half or two days. But, you know, spread it out. Take a ride on the train. Go ride the Tomorrowland Transit Authority. Take time to for the slower things, where you can enjoy the vistas and have family time where you can talk. There certainly are a good number of people who do that.