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Friday, July 20, 2018

George Goepper - my 305th choice to be named a Disney Legend

George Goepper started at Disney in 1933, a time of great expansion and growth for the staff at the Disney studios. Snow White was going full swing into production and tons of talent the studio didn’t already have was needed to make such a daring production. Artists were recruited around the country to work on this once-in-a-lifetime project that would change the medium of animation and even the film industry in general forever. However hard work was nothing short of expected from everyone working in the studio. Years later George Goepper told Milt Gray that when inbetweening back then “We all worked our little fannies off because you never knew when you were going to be fired.” He became an assistant on the one and only Norman Ferguson, oftentimes called “Fergy”. Fergy was the first animator to put in great showmanship and thought process into his characters, most famously in his animation of the flypaper sequence in Playful Pluto. He wasn’t a great draftsman and drew very rough despite his great understanding of staging and accuracy in his drawings. This required Fergy to have many assistants. Among these assistants besides Goepper were Jack Hannah, later the director of many Donald Duck cartoons, and most notably John Lousnbery, who would later go on to be one of the best personality directing animators at the studio for decades. “Although Fergy put more work into held poses, he cared less about action extremes and therefore would leave them to his assistants to finish,” explained Goepper to Milt Gray in the same interview used above. Among the notable projects George worked on with Fergy included Pluto in the famous short the Pointer and the Dance of the Hours segment in Fantasia.

In the mid 40s leading Goepper to become the longtime assistant of Eric Larson, one of the humblest of the great Disney animators. According to Burny Mattinson in his interview on Animation Podcast Larson was relatively easy to follow up because he worked on fours and his structure wasn’t too complicated unlike the very particular demands and scenes on threes done with the assistants of Frank Thomas and Milt Kahl. Among the films George Goepper worked under him on included Bambi, Lady and the Tramp, and Sleeping Beauty.

He is my 305th pic to be named a Disney Legend.

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